Apple today announced Final Cut Camera 2.0, a significant update to its free iOS app that dramatically enhances video recording capabilities on the iPhone. This latest version introduces groundbreaking support for ProRes RAW and genlock, exclusively for the new iPhone 17 Pro and iPhone 17 Pro Max. Furthermore, the update brings enhanced manual controls for the Center Stage front camera across the entire new iPhone family, promising a more professional and versatile mobile filmmaking experience.

The announcement, made during Apple's "Awe Dropping" event, underscores the company's continued commitment to empowering creators with powerful, integrated tools. Final Cut Camera 2.0 isn't just an incremental update; it's a leap forward, positioning the iPhone as a truly viable tool for serious videographers and filmmakers who demand the highest level of control and flexibility in their footage.

Perhaps the most exciting development in Final Cut Camera 2.0 is its support for ProRes RAW. This marks the first time iPhones are capable of capturing this high-fidelity, RAW video format directly from the camera sensor. What does this mean for creators? It means unparalleled flexibility in post-production. ProRes RAW retains more image data than traditional compressed video formats, allowing for extensive adjustments to exposure, color temperature, and white balance without sacrificing image quality. This is a game-changer for anyone looking to achieve a truly cinematic look from their iPhone footage.

The app also introduces "open gate" recording, utilizing the full sensor of the iPhone camera for a wider field of view. This feature is invaluable for editors who need to reframe shots, stabilize footage, or adapt to different aspect ratios in post-production, all while maintaining exceptional image integrity.

Adding to the professional feature set is genlock support on the iPhone 17 Pro and iPhone 17 Pro Max. This crucial feature allows for precise synchronization of multiple iPhones or other professional recording devices to a common timecode reference signal. For multi-camera shoots, this eliminates hours of manual frame-by-frame alignment in editing, ensuring a seamless and professional workflow. It's a feature typically found on high-end cinema cameras, and its inclusion on a smartphone is truly remarkable.

Beyond the flagship Pro models, Final Cut Camera 2.0 also brings significant improvements for the broader iPhone 17 lineup. The app now offers more intuitive manual adjustments for the Center Stage front camera. This means users can achieve greater creative control over their selfies, vlogs, and video calls, including the ability to capture in horizontal or vertical orientation without needing to physically rotate the phone. This is particularly useful given the new iPhone family's larger, square front camera sensor, which offers a wider field of view and higher resolution.

The integration with Apple's professional video ecosystem is further strengthened. Final Cut Camera 2.0 seamlessly works with Live Multicam in Final Cut Pro for iPad, allowing for more coordinated and efficient multi-camera productions directly on the tablet. Furthermore, upcoming updates to Final Cut Pro 11.2 for Mac and Final Cut Pro for iPad 2.3 will offer direct control over iPhone ProRes RAW footage, enabling precise adjustments for exposure, color temperature, tint, and demosaicing. This tight integration ensures a smooth transition from capture to edit.

Final Cut Camera 2.0 isn't just about the headline features. The update also includes:

• Apple Log 2 Support: This allows for recording in an even wider color gamut using ProRes or HEVC on the iPhone 17 Pro, providing more dynamic range for color grading. Users can apply a Log 2 LUT in Final Cut Pro to view and edit their footage with enhanced vibrancy.
• Timecode Options: The app now supports Timecode, offering modes like Time of Day, Record Run, or external timecode input. This is essential for professional workflows requiring precise logging and organization of footage.
• 200mm Telephoto Camera Support: For iPhone 17 Pro users, Final Cut Camera 2.0 enables video capture using the new 200mm Telephoto camera with ProRes up to 4K60 fps, offering even greater framing flexibility.

Final Cut Camera 2.0 will be available as a free download or update on the App Store later this month. It requires an iPhone Xs or later running iOS 18.6 or later. However, to unlock the full potential of ProRes RAW and genlock, users will need an iPhone 17 Pro or iPhone 17 Pro Max and the upcoming iOS 26 update.

The release of Final Cut Camera 2.0 represents a significant democratization of professional filmmaking tools. For years, high-end video production required expensive, specialized equipment. Now, with a powerful iPhone and this updated app, creators can capture footage that rivals traditional setups, all within a portable and accessible package. This move is likely to further blur the lines between professional and consumer-level video production, encouraging more individuals to explore their creative visions through mobile videography. It's an exciting time for anyone passionate about telling stories with video.